Meg Hunt Artist Residency Program

2014 Meg Hunt Resident, Joe Barrington's, raven sculpture in front of the Wrangell Mountains Center

2014 Meg Hunt Resident, Joe Barrington's, raven sculpture in front of the Wrangell Mountains Center

Overview

The Wrangell Mountains Center (WMC) is a nonprofit organization whose mission is connecting people with wildlands through art, science, and education in Alaska. The Wrangell Mountains Residency Program aims to support artists of all genres, writers, and inquiring minds. Our organization and community will provide a unique and rustic workspace located in the heart of the nation’s largest national park.

We invite applicants with creative and inquisitive minds who will both add to and benefit from the interdisciplinary efforts at our community hub in McCarthy, Alaska and the surrounding Wrangell-St. Elias National Park and Preserve. Artists and writers of all genres and stages in their career are encouraged to apply for one of several two-week residencies. Artists from the global majority, who are underrepresented, marginalized, Alaska Natives, etc. are especially encouraged to apply. The WMC will make selections through a competitive admissions process. We hope to encourage emerging and mid-level career voices as well as mature professionals.

During the residency, the artist will be asked to share their experience with the public by demonstration, talk, or other means. The presentation will depend on the artist’s medium, interests, and experience.

The Setting

Writing in a field of Dryas plantsPhoto: Nathaniel Wilder

Writing in a field of Dryas plants

Photo: Nathaniel Wilder

The Old Hardware Store (OHS), located next to McCarthy Creek at the end of main street McCarthy, is the heart of the WMC where meals are prepared and shared among staff, volunteers, and program participants. The OHS was built in 1911 as a town general mercantile and was converted into a community hub for arts and sciences in the 1980s. This 100 year old building is currently on the National Register of Historic Places. Across the street from the OHS is Porphyry Place, a former homestead cabin, where artists, scientists, and locals give public lectures and weekly youth programs take place. Located behind Porphyry Place is one of three gardens at the WMC, including a small greenhouse, which supply the WMC kitchen with fresh greens throughout the summer months. Residency participants will have the opportunity to experience and contribute to the sustainable living system at the WMC.

Each resident will be provided with a private and furnished live/work space. The smaller of the two is a cozy 12’ x 12’ standalone cabin with a small wood burning stove, desk, and twin size bed. The slightly larger studio is located on the second floor above a small workshop and includes a small propane heater, work tables, and queen size bed. There is an outhouse located just a few paces from both spaces. The studios are not equipped with electricity, but the long Alaskan summer days provide ample natural light for many hours and small electronics can be charged on our solar power system at the OHS. Residents will have access to common areas on campus and simple, healthy meals (mostly vegetarian) will be provided and shared communally with WMC staff, students, and visitors.

Our live/work resident studios are located in the back yard of Porphyry PlacePhoto: Anders Link

Our live/work resident studios are located in the back yard of Porphyry Place

Photo: Anders Link

Our campus, located in the center of McCarthy, a small mountain community, and within the boundaries of the nation’s largest unit of the national park system (over 13 million acres), provides a unique natural and cultural environment for the WMC. Positioned near ice-capped mountains, the roaring Kennicott River and McCarthy Creek, and the raw terminus of the Kennicott Glacier, the local landscape is a dynamic laboratory for ecology, glaciology, and geology. The town of McCarthy was established during the copper mining period in the early 20th century. After the local copper mines were abandoned in the 1930s, the once booming community virtually became a ghost town, but as the national park was established in the 1980s and with the growth of local tourism, McCarthy has been rediscovered by everyone from Alaskans to international travelers. Many historic sites and buildings in McCarthy and Kennecott combine to make the area a rich cultural environment, hosting vibrant communities full of character and dynamic narratives. It is an ideal place for contemplation and creative endeavor.


2024 Applications Now Closed


REad about our 2024 artists

Addie Boswell, June 2024 Artist in Residence

Addie Boswell is an artist and writer, specializing in collaborative public art that tells a story. Based on the places she’s lived and the people she's met, her work seeks to capture the inherent beauty of regular days and ordinary citizens. She has organized and taught hundreds of students, hospital patients, shelter residents, partner artists and local citizens in creating public art. Her multi-media murals and metal sculptures can be found in community centers around the Northwest, including The Patricia Reser Arts Center (Beaverton, OR), the Anne Frank Memorial (Boise, ID), Portland Fire & Rescue, Oregon State Treasury, and many libraries, hospitals and schools. Her picture books include The Snow Dancer, The Rain Stomper, Five on the Bed, and the “In Motion” series which starts with Go, Bikes, Go!  When not working on a wall or in her home studio, she is probably building scrappy furniture, playing cards with her family, and reading when she should be sleeping. 

Star Padilla, June 2024 Artist in Residence

Star Padilla is a visual artist, painter, high school art educator and muralist creating public art with and for people of all ages. 

“Every drop of color is a meditation, decision, willful preparation, a flinging of the wrist or vicious scribbling; sometimes erasing other times frantically adding, wiping away then adding again. I never really know what I’m starting off with or even what I’m doing. I just know a specific mood sets me off as it translates into color, where layer upon layer mirrors every thought and mood of the passing day. I create more in color than themes, the work builds upon itself tiny conversations between dots bubbles and dashes. After families of color palettes convene together into a happy vibration, an elemental feeling tone, a vision emerges, at times a face or body, other times a ray of light or moonlit sea scape. I consider myself an Impressionist, who loves Surrealism and creates Abstract Naturalis.”


Tyler Thenikl, August 2024 Artist in Residence




Tyler Thenikl is an artist and printmaker from Grand Rapids, Michigan. He graduated from Olivet College with degrees in Studio Art and Graphic Design. The following year, he became an Artist-In-Residence of the Kirk Newman Art School at the Kalamazoo Institute of Arts. Thenikl currently resides in Appalachian Ohio, where he researches the aftermath of industry and resource extraction in the region. His work has been featured and published in local, regional, and national exhibitions. Tyler recently earned his MFA in Printmaking from Ohio University.

Sarah Gilman is a Washington state-based writer, illustrator, and editor who covers the environment, natural history, science, and place.

“In my writing, I seek to illuminate the ways people relate to landscapes and other species. In my visual art, I'm most interested in cultivating wonder, with the hope that it helps more of us come to value and make space for wildness, and for each other. Much of my current creative work is at the nexus of the two fields, a place where these themes can combine in immersive ways that foster empathy, respect for nuance over polarization, and a sense of awe for and accountability towards the world as it is-still huge and full of mystery and beauty, however threatened or diminished.”

Sarah Gilman, August 2024 Artist in Residence


In 2024 we are hosting to residency cohorts during the summer. The first from June 5-19 (for two residents) and the second from July 30 - August 13 (for two residents).

To apply please submit the following by February 12, 2024 through the Call For Entry application portal (application portal closes at 11:59 Mountain Time). There is a $25 application fee. Artists from the global majority, who are underrepresented, marginalized, Alaska Natives, etc. are especially encouraged to apply. Please direct any questions or concerns to Artists@wrangells.org:

  • Artist statement (1000 characters)

  • Please upload your resume or CV (limit your resume to 1-2 pages).

  • Why is this residency important to you? What do you hope to accomplish during your two weeks at the Wrangell Mountains Center? (2000 character limit)

  • One goal of our residency program is for artists and writers to share their work with our community. Examples of such outreach include giving a slide lecture, teaching a short workshop, and/or having a public performance or exhibit. Are you comfortable sharing your work in a public setting? Explain what you propose to do to give back to the Wrangell Mountains Center and our community during or after your residency. We recognize that these plans may change and develop leading up to and during the course of a residency. (2000 character limit)

  • Tell us about your workspace needs. (1000 character limit)

  • Our setting is very primitive with limited water and electricity. We operate off the grid with a communal approach to sharing resources. Tell us about your experience living and working in remote locations and your comfort level with this challenge. (1000 character limit)

  • Optional response: Artists from the global majority, who are underrepresented, marginalized, Alaska Natives, etc. are especially encouraged to apply. Do you identify with any of these groups of people? 

  • Optional response: Is there anything else about your background or practice that you feel is important for us to know?

  • Work samples: Please submit the following based on your area of focus. Visual Artists: 6-10 images of your work. Performance, video, dance, and music artists: please submit links to samples of your work online (for example on Vimeo, YouTube, or a personal webpage or blog). Please keep the time to about 15 minutes. Writers: upload up to 10 pages.

Selection Process:

Artists will be selected by the following components:

  • Artistic merit

  • Importance of the Wrangell-St. Elias/McCarthy experience to the artist’s work

  • Need or benefit to artist

  • The artist's proposed plan to engage with the community, e.g., workshop or performance

  • Feasibility of plan and ideas

  • Diversity of backgrounds and disciplines represented in the program overall

We plan to make selections by mid-March, 2024


Other Info

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Artist in Residence Greta Van Campen working in the Meg Hunt Studio

Artist in Residence Greta Van Campen working in the Meg Hunt Studio

Our remote location limits the ability of visitors to obtain many goods and services in the area. Participants should come prepared with all the necessary research materials and art supplies since they are not available for purchase locally. Please communicate specific needs for the residency period to ensure enjoyment and productivity. Internet access can be purchased on a personal computer, but the ability to charge electronic devices is dictated by solar power availability, which can be limited in inclement weather. Laundry opportunities are available.

We plan to host four residents during two two-week periods in the summer (June 5-19 and July 30-August 13). Teams of two artists are welcome to apply and will be awarded two of the four residency slots.

Program Goals:

  • Provide work time and space for artists inspired by the wildlands of Wrangell-St. Elias National Park & Preserve

  • Facilitate a personal experience with the dramatic landscape and sense of place

  • Foster meaningful connections between artists/writers and the McCarthy community

  • Provide educational opportunities for locals and visitors at the WMC

  • Create lasting collaboration and development between artists in residence and the public space and local community

  • Promote professional and personal relationships between artists in residence

 

2023 Artists in Residence

 

Ellina Chetverikova was born in Severodonetsk, Ukraine in 1989. Her love of painting and drawing had developed very early. She was always drawn to represent her surrounding world and loved creating images from life. Ellina moved to USA, Cincinnati OH as an exchange student to pursue her education in Arts, received her BFA from Art Academy of Cincinnati, OH in 2012 and her MFA from Rochester Institute of Technology, NY in 2014.  She received an honorable One-year Manifest Residency in 2016 and Jentel Residency in 2020. Ellina self-published three books with the collection of her recent works in 2018, 2019 and 2021. She has been exhibiting her work at various galleries around the United States and Europe. Ellina is represented by Sugarlift Gallery in NYC. Currently living and creating in Cincinnati, OH.

Brooke Pederson is a librarian on a small island in Washington State. She has been honing her paper cut artistry since childhood, cutting dozens of snowflakes for the Christmas season. She began designing and cutting stories into snowflakes as Christmas presents for friends. Her passion for paper cutting grew from there. In addition to art and crafting, she loves being a librarian, talking with kids about books, spending time with family, beachcombing for rocks naturally engraved and marked with question marks, and reading in companionable silence with her husband on a couch, on a beach, in a car, or most anywhere. Brooke’s love and long-standing fascination for nature and narrative led her to combine them in a complex, unique way: intricate paper snowflakes.

 

The love of the outdoors has been an integral part of Marianne Stolz’ life. It guided decisions from where to live to the themes of her art. She was born and raised in Germany. Roaming the Black Forest in her childhood contributed to her connection to nature and curiosity about natural history. She also found herself drawn to any opportunity to make, build and create. Merging her passions, she applied to the Wood Carving School Berchtesgaden in Germany. After completing her Journeyman Woodcarver degree, she explored the world. Her travels brought her to Fairbanks, Alaska. She had found a place to raise her family and expand her art. Her carvings can be seen throughout the Interior of Alaska in public places and galleries.

Paxton and Pauline are a creative team and couple who specialize in making off-grid films which explore the connection between art, science, and storytelling. Their feature film "The Path Integral," was shot entirely off-grid in the Mojave Desert.

Paxton attended NYU Tisch School of the Arts, where he received the Alfred P. Sloan Production Award. He takes a creative technical approach, building custom camera systems and exploring new technologies for each production. Outside of film, he created the Day Players podcast, and founded TMB (Seattle’s New Orleans-style brass band).

Pauline often carries a sketchbook, pen, and mini watercolor set since attending art school in Norway. When studying ecology at The Evergreen State College, she first visited McCarthy and fell in love with Alaska. Having worked as a teacher and now as a community wildfire mitigation leader, Pauline is interested in using art for science communication. They live together in Los Angeles.

 
 
 

Read about our past residents from 2014-2022


The Meg Hunt Residency Program is sponsored in part by the Alaska State Council on the Arts and the National Endowment for the Arts